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    I got to rock with Flight of Fire!


    2012 - 03.09

    Tonight I got to sing at the Berklee Performance Center with Flight of Fire, my sister’s band, as a back up singer on a belt-tastic song, We Will Rise. It was an amazing experience and I did a great job, considering that I hadn’t performed on stage in 12 years, it was a kind of singing that is hugely different from jazz, and I had a monitor which was a totally new experience for me! I have been sick this week, so I was really happy that I could sing so well. My voice cut out on the climax high note of the song, but at least it didn’t break- just disappeared and then reappeared again! I’m sure it sounded good enough, if noticeable, but I don’t really care either way. I had a great time and the rest of the band was grateful I helped them out. My voice blends with Maverick’s so well it’s almost unnerving- we should make a point of recording some stuff together soon. And it was great being part of making a song with double-bass drumming and guitar soloing and all that! I could get used to it!

    I love post-show high…

    Birthday in… London?


    2011 - 08.04

    Where was I?

    This is actually posted on January 8, 2012 when I realized there was a month when I didn’t update at all. That’s because this was the month from hell. I ran out of money in Europe, to my infinite shame, barely got home and then was completely dependent on the charity of my friends for a month… and while I was able to find a job in only a few days, it is, even now, barely covering my expenses. I had to take out a $4000 personal loan to survive. And I was numb from reentry culture shock. My friends were all disgusted with me and I am still earning their trust back, and the relationship with my siblings was incredibly strained. I had to give up on music school (for now) because the financial aid proved impossible given my credit history. I spent two weeks in Nice, Paris and London and it might as well have been in a video game for all the impression it made on me. I was so afraid of starving that I was only able to allow the smallest amount of pleasure in.

    But the learning was rich, some of the richest I have done. Turning 32, I realized how much I was trying to literally have a second adolescence, as if I could actually go back to the moment when I sent the break up letter to Richard and step forward into the new era before me with the wisdom I had gained in the 13 years since. As if I could be 19 years old again and not go through all the pain of giving up on love and my future. “If I could do it all again, I would throw myself toward my dreams, even if I didn’t believe in myself yet, because now I know what I can do so I know I will make it.” So I threw myself to China, then to Japan, then to Music School via Europe and now here I’ve landed on my ass in Boston expecting my friends to pick up the pieces as if they were the parents I should have had to support me when I was 19. There was a lot of success, much more than there was failure, for sure. But it all felt like running, falling, shoving, flailing, forcing, hiding, pretending. Not all, that’s not fair to the moments I was awake. But I didn’t realize until I came home to Boston how much my trip had been a teenage rebellion against the limited existence of my post-Richard life. That’s fine. Everyone needs a rebellious stage. But now it is time for me to be an adult.

    The question is, how can I create the adult life worth living? A life that holds up to my ambitious expectations, overflowing with my reasons to live? And what is that subtle difference between this life and the rebellious one?

    I have some of the answers already. It would include money; enough money that the days of anxious paycheck waiting are behind me, that my debts are decreasing steadily like the weight I burned off my body. I wouldn’t be lonely; friends and loves and family would surround me. And I would feel like I was walking, not running; dancing, not dodging; touching, not flailing; confident, not afraid. Like I said, the life I have in mind is an ambitious one.

    But as I sit here today, 4 months after the date of this entry, contemplating moving back to Japan, I have to remember how it felt when I first came home, and I MUST make sure I am not running again.

    How can I return to Japan as an adult?

    Fighting with Audacious Beauty


    2011 - 06.19

    Hearing that I won’t be able to get financial aid to attend music school catalyzed something in me that has been waiting a lifetime to awaken.
    Before I had even finished reading the letter, my mind was whirling with alternative plans- something that could make up for what was lost so I wouldn’t feel the pain of losing it. I am consciously holding off my grief until this news is confirmed, but I had actually given up on it the moment my brain processed what I had read… and maybe before. I saw “regret” and “loans” and already the inner voice ‘… not so bad, it was a nice idea but it doesn’t really matter, we’ll do something else just as awesome so it’s not such a big deal…’.
    That’s a lie.
    Going to music school, no, not just music school, but this music school and the city and country and area of the world and the university clubs and housing and language and proto-friends I have already found there- these are extremely important to me. They motivate me throughout my day. Even the tiniest daydreams of my life there are woven close to my heart. For eight months I have put everything into making this happen. I began to sing and listen to music again, worked through my inability to tolerate my own talent and promise as a musician, learned how to listen critically and lovingly to my own voice and performance, allowed others to support and acknowledge what this meant to me and for the course of my life, and most of all, I let myself dream with an audaciousness I had never tried before. Dreaming ‘big’ has always been natural to me ever since I was child, profoundly lonely and utterly alone; those dreams were my solace. But the dreams I am finding now are of a different sort- they are precious, fragile, tender creatures hidden in the shadows of myself that drive so much of my fierce integrity and love of life that to share them with others, let alone look them in the face, makes me afraid they will shatter simply from the knowledge that if I die without these experiences I will be incomplete, I will have missed my destiny, I will not have become myself. And going to BIMM has many, many of these precious threads woven into it. I was somewhat aware of them, but when my going to BIMM was suddenly threatened they stood out like lightning against the black.
    These dreams are not ones that can be substituted for other adventures. I can’t just let BIMM go because a seemingly insurmountable obstacle has appeared. Maybe I will not be able to reach the summit in time to attend this year, and if so, then I will figure out the best way to preserve the preciousness. But what really interests me is how I responded to this threat. When China turned out to not be what I had hoped, I changed my plans to Japan and executed them with only a relatively minimal amount of processing and was happy with the result even though I am not actively doing martial arts now. But there is something about what I associate with BIMM being threatened that elicited submission from me. It was as if the secret of what really mattered to me had been discovered and would be utterly destroyed as a matter of course until it was lost to me completely, with no chance of salvaging the essence of why I loved it so dearly and what it meant to me.
    I know why I have been conditioned to feel that way. I have spent the last six years working to understand why I carry such darkness with me in such contrast to my innate brightness. But now, having watched my reaction to this threatened loss, I am more interested in the effect than the cause. When I immediately began to imagine substitutes for that irreplaceable something, the feeling in my body was one of letting go after something has been yanked out of your grasp, turning your back on someone you want to embrace, apologizing after a fight when you think you were right, saying ‘I love you’ under coercion, forced smiles when you’re devastated, standing back up after getting knocked down only to walk away. It was giving up, surrender. These sensations live in my belly, my breasts, my shoulders, my buttocks. But there was a secondary feeling enveloping the surrender; one of inhibited running, punches held back, tears stuck in throat, tightness everywhere as if I need to hold my organs in with my muscles alone. These sensations run cold over my skin, and if I am very quiet in myself, I can feel the strength in my limbs screaming to be freed. I want to run, hit, yell, explode- but I hold perfectly still, perfectly unthreatening, perfectly tame. I am frozen, trapped between flight and fight with no hope of either resulting in greater safety. On the outside I am trying to morph myself into whatever the other needs me to be in order to decide I am not a threat, so they will go away, leaving me to deal with the debris of my dreams.
    I can’t do this anymore. I can’t pretend I am not a threat to fragile people. I can’t cower under the scrutiny of people who don’t see who I am. I can’t sell out what’s important to me for fear of being mocked. I can’t live my life like I have something to be ashamed of. I can’t compromise away the essence of who I am. I can’t morph myself into an extension of others. I can’t step down when my life is on the line. I can’t settle for pale comparisons of what I want. I can’t worry about offending assholes. I can’t treat myself as if I am unsafe person. I can’t lie to myself about what I am willing to fight for. I can’t spend energy on convincing others that I am a good person. I can’t talk myself out of working my ass off for the things that matter to me. I can’t confuse myself over the difference between violence and movement. I can’t give up anything else. I can’t. I literally can’t stand it anymore. I can’t deny that I am fire, and if you get in the way of my destiny, you are going down in flames.
    I am done fucking around. I am not a nun, I am a warrior. I am not lawful good, I am chaotic neutral. I am not waiting, I am living. I am not here for you, I am here for me. And I AM a threat to assholes and cowards and bullies and authority and denial and tradition and morality and religion and stupidity and repression and arbitrary limits and ignorance and spiritual bypass and hate and boredom and ambivalence and excessive virtue and silence and ugliness and evil and propriety and shame and cruelty and apathy and labels and abuse and laziness and fallacy and liars and tyrants and false empowerment and selfishness and negativity and asceticism and people who are easily startled. I will rock your worlds and I will not apologize.
    There is no fucking way I am going to look back when I’m dying and regret not doing the things I could have done if only I had summoned the courage to step over that line between comfortable and audacious. I can SEE the uninhibited life right in front of me. Even if it means leaving everyone else behind, I must do this. I must find out what it’s like when I get out of my own way.
    So I don’t know if I’ll be able to go to BIMM in the fall, but it will not be because I accepted defeat.
    I am not frozen, and I am not fleeing.
    I am fighting.

    And here is a painting of my rainbow fire aura to remind me of it.

    Rainbow Flames, the aura of the fighter.

    &!*@#$(@)*#*#*@*!


    2011 - 06.17

    I’m holding off despair until it is super-confirmed, but I was just notified that I will not be able to use my US fin aid at my music school in the UK, which means I cannot attend.

    I am incredibly angry and disappointed, ESPECIALLY because I did a ton of research on which schools would accept the aid AND I confirmed it via phone and email on various occasions starting before I even applied. Of course, because I am Sequoia I will do something neat with my life regardless, but I can’t even tell you how much I wanted to go… how hard I worked to go.

    Part of me has always had trouble believing I would be able to do this, and that part was coming up with alternate plans half-way through reading the letter. It’s nice that I have such a creative and forward-moving coping strategy, but I also need to mourn this particular dream if it’s really not going to happen. But I am going to wait for that until I know for sure from all parties involved.

    Interestingly, I woke up today after having an unsettling dream and I was out of sorts all day today, and then I get this news right after journaling about how I need to really let in that I am going to be in music school in four months. Itai.

    I just got admitted to music school!


    2011 - 02.19

    OMGOMGOMG! I think I just got admitted to music school! And it’s BIMM, the one I wanted in Brighton! “Thank you for your application. I have no problem for recommending you for a place on the Certificate in Higher Education. I will get an offer sent out to you. Once you hear about the funding available to you, please get in contact so we can progress towards enrollment.” Is it really true?! HOLY TURKEYS OF MUSICNESS!

    I’m so happy! Part of me never thought I would be good enough to get in, since I am out of practice for 10 years… just getting admitted is such a confidence booster! So either “Music School” is more equal opportunity than I thought or I am much better than I thought… either way… huzzah! Gay beach town outside of London, here I come!

    And I have to laugh at myself- there are two programs at BIMM that I applied for, one through the University of Sussex and one directly. Although the application was ready since Jan 15th I didn’t send it off for a month because part of me assumed I wouldn’t get into the Certificate program because it is the more advanced of the two. I think I avoiding sending it because based on the description it seemed presumptuous to even apply. But they got back to me in three days with an obviously supportive reply! So now I promise myself not to assume that I am ‘less than’ in anything so I don’t risk losing amazing opportunities!

    Already my brain is making plans for getting to the UK by October 1st. This is the school I really wanted, the only pure music school (vs university with music program) and the 1 year cert gives me the ability to try it out and then add on if I want more. And getting there, I want to stop in Boston and tour around Europe a bit first… another adventure! I love practical daydreaming!

    Holy crap! Music school! Me! Music school! I’m really going to learn the answers to all my questions and not waste my talents and make music my life again!

    *dances around*

    Here is the program I was admitted to: BIMM Cert HE

    And here is the town I will be living in: Brighton, UK

    My demos are done!


    2011 - 01.15

    I am pleased with these recordings because they accurately capture my development as a singer in this moment. Some qualities of my voice, especially those dependent on breath support, like pitch, strong and long tones, and phrasing, have become weaker since I last was singing regularly; while some issues that I was always intimidated by, like chest voice power, have gotten stronger since I fell in love with metal. I am confident that a great deal more breath support will return by the time I start music school since I am now training more regularly than I ever have; vocalizing every day, healing my posture and asthma, losing the remainder of my excess weight.

    Indeed, I am grateful and proud that so much of my gift of expression remains after neglecting my voice for a decade. The process of making the recordings was incredibly rewarding because I felt myself falling into the easy role of a performer that has always been so natural for me. Communicating the personality and story of the songstress behind the music and lyrics has always been an aspect of singing that I loved, and I was relieved that although my ability to execute my interpretation falls short of my potential due to my lack of training, the nuance and artistry of my vocal depiction was right where I left it. In fact, it was only after seeing Macross Frontier and Sheryl Nome’s character that I admitted to myself how important my sense of theatricality is to my identity as a singer.

    That anime also awoke in me this quiet thought that it might not be so bad to be a popular artist, which had previously been completely outside my conception of any possible career in music. In my early singing experiences, necessarily in classical style due to the type of music my family listened to, I often felt restricted by the respect I felt for the composers and my desire to represent their brilliance accurately. When I discovered the freedom of jazz it was a significant milestone in my development as a singer. The focus of music shifted away from performing a piece exactly as the composer intended and toward expressing my own feelings and style. The jazz combo I played with created music for fun and relaxation and entertainment, and this perspective was completely refreshing to me. Over the years, my taste in music has headed further in this direction. Previously unappreciated genres like punk and metal became appealing since music was for expressing all emotions, not just the elegant or divinely-inspired ones, and there certainly are valid reasons in life to feel anger, rage and even hate; and the music has to match the feelings. And I love the narrative style of symphonic metal, which depicts epic heroes and fantastic battles and, of course, Tolkien. To me, this music is the perfect balance of expressing our most passionate emotions and laughing at our own hubris in the same moment. For my demos, I wanted to record some songs in this style, but where my voice is today, I sounded like a lost child in the country of giants. I cannot wait until I grow into my voice and am able to express my inner epicness on stage! I thought it best that the songs I chose for my demos show what I am able to do now, not highlight what I am unable to do now but want to be able to do after being trained to do it. I hope that the schools listen to my demos in the context of my personal statement and not assume I want to study exclusively jazz due to my recording all being jazz, especially since 2 of them are rock schools, unlike Berklee where my sister is studying. I’m sure they have enough experience to understand that, but I kind of wish I were doing a live audition so I could speak to them in an interview. Well, I should find out the timeline for the admissions process in a few weeks, so I’ll update then!

    Finally- the music schools I’ve decided on!


    2010 - 12.20

    The UK has a single application for up to five schools, and all the schools that have programs I want and can use US Fin Aid are on it, so applying is pretty simple thus far. Now, when my sister gets here (in 2 days!) with her recording rig, I can make the demos and submit the application by January 15th!

    1. University of Sussex: Professional Musicianship at Brighton Institute of Modern Music (FD & Cert HE)
    2. University of Westminster: Popular Musician at Access to Music (FD)
    3. The University of Kent: Popular Music Performance (FD, 2 instruments)
    4. Goldsmiths, University of London: Popular Music (BM)
    5. Middlesex University: Popular Music (BM)

    FD stands for Foundation Degree and is basically the first 2 years of their 3 year bachelor’s programs. Cert HE is a one year program with greater emphasis on performance. I am applying to both programs at my top choice, BIMM, which is in Brighton, the gay beach city 1 hour from London. However, a downside to BIM is that it does not include private lessons on your instrument. Apparently most students feel that the studying in classes is sufficient. On the flip side, Kent not only has private lessons, but requires you to learn 2 instruments! This is mind-blowingly exciting to me as I really want to learn both electric guitar and piano in addition to voice and this would get me closer! However, the school is in the middle of nowhere itself, but is half the distance from London (though I would need a car because it is 4 hours by bus/train). I haven’t confirmed yet if Access to Music takes FAFSA money, so if they indicate a possibility of me attending I’ll ask then. Access to Music and BIMM are the only “music schools” on the list- the others are universities with music departments, which have the advantages of greater international student support (on campus housing) and the ability to take other classes like Japanese and SciFi writing, but not everyone is living and breathing music 24/7. I figure doing a shorter program to see what the UK is like to live in and so I can explore the other schools in person and then change programs later if I want a different experience. In my first year, I will make a lot of headway so that my applications to more competitive schools will have more of an edge.

    And I finished my personal statement (a 4000 char and a 500 word version) which was a huge, stressful project. Part of me wanted to be defensive about why I didn’t stick with music the first time, or why I let it drop so throughly out of my life for the last ten years, but after reading Eleanor’s glowing reference I realized that I have nothing to ashamed of and a whole lot to be proud of. Thus I removed all the negative energy from my statement and stuck to the positive and I am really proud of the outcome. Everyone I’ve talked to about the competitiveness at their school has said that it is an issue of finding which program fits my needs best- implying that I will get in to one program at least. This kind of blows my mind considering how much the competitiveness of music schools has been stated… although maybe I am using a classical conservatory analogy when it isn’t appropriate… Flashdance comes to mind. Well, I guess I will find out soon enough!

    Great news and decisions!


    2010 - 10.22

    So the one big obstacle to returning to music school is money. I found out that as an international student, there is no financial aid available from the hosting country (which makes sense), but that certain schools abroad have FAFSA codes and I can use US federal loans toward those schools! In looking through the list, there are 4-6 of them in London that have popular or contemporary music programs with a voice performance degree/course. I’ve decided on London, because it is reasonably close to friends and family, and, being in Europe is smack in the middle of the touring area for both the kind of metal and the kind of techno I want to perform- both of which are minority tastes in the US.  Australia will probably be a nice place to move later, but for now, with my focus on music and metropolitan culture, London is the best!

    So, when the catalogue arrived for one of these schools, I was overcome by this sense of certainty that I wanted to do whatever it took to get into a school and work my ass off to fill my heart and body with as much knowledge and experience as possible! I have SO many questions! But I was still waiting back from the financial aid departments about the math regarding how much federal aid I have left that I can spend on an undergraduate program. So, this morning, I got a letter with all the math spelled out, saying that I have over $36,000 available! Apparently I only took out $18,000 in loans for my undergraduate degree, which means I worked myself through school a lot more than I realized, since ugrad school cost over $40,000! No wonder I was always so stressed- every penny was going toward keeping me in school!

    Having $36,000 to spend on a second BA is amazing good news- one of the schools is $10,000 for international tuition a year, with a 3 year bachelors, this means I can have the whole thing covered, and I only have to cover my living expenses! So it looks like working so hard with my first BA is going to pay off in me getting the degree I really want! This is probably the best way it could have happened because I was such a mess during my first degree, if I had done music then, I wouldn’t have gotten what I wanted out of it. I have also been thinking how ambiguously oppressive that music department was… very clicky, and people did not seem to be having much fun. I’m pretty much guaranteed to meet more colorful characters at a contemporary music school- I mean, their catalogue is totally hip! :P

    So, in short, I can go to music school next year! I will post soon about the schools I am applying to!

    Music School Locations


    2010 - 10.04

    Here are my criteria for which music schools I am applying to:

    1. English as the language of instruction
    2. Contemporary music focus
    3. Private lessons
    4. Strong musicianship foundation
    5. In a “Global City”
    6. Variety of music genres supported, including metal and techno (jazz is usually a given)
    7. Metal, Jazz and techno experiences readily available in metro area
    8. Fascinating and/or relaxing environment
    9. Sufficient financial aid for international students

    Unless I missed something in my research, this points to 3 main areas: the US, the UK and OZ/NZ.

    Area Advantages Disadvantages
    United Kingdom
    • Most metal bands I like are either from EU or tour extensively there
    • London is second only to NY as a world city
    • Closest non-US to sibs and friends
    • A whole continent of new stuff
    • Cold beaches, non-sunny
    • Difficult FinAid
    • Visa/residency difficult
    Australia
    New Zealand
    • Amazing beaches, beautiful
    • Sydney and Brisbane have good metal scenes
    • More supportive of international students
    • Really far from sibs and friends
    • Less cultural variety/urban adventure
    US East Coast
    • Closest to sibs and friends
    • Less selection of schools, but top school here
    • FinAid/Visa easy
    • Less exotic, have already lived here
    • Running out of federal aid
    US West Coast
    • Near other batch of friends
    • Beaches, CA culture
    • FinAid/Visa easy
    • Have already lived here
    • Living in LA?
    • Running out of federal aid

    Okay, the music schools in the UK are moving ahead in my preference… all my favorite metal bands are either from Europe or moved there to join the rest! I’m starting to see evidence that if I seriously want to do metal, and find like minded other instrumentalists, then Europe is the place to be… plus, the greatest variety in the smallest area!

    I also spoke to a friend today about OZ and it seems that the only down side is the distance/isolation/mono-cultural issue… everything else is remarkably good.

    This is going to be a tough one. I might just have to apply everywhere and see who offers me the most money, and then just enjoy where ever I land! I think, overall, I am leaning toward Europe… the amount of new experiences I can have over a long time span is much higher, and I can always visit AU later or settle there… I think for this second adolescence somewhere more stimulating is more appropriate. the next step is to look into how the money can work out!

    FAQ


    2010 - 09.30

    I don’t remember which travelling book I read about this in, but there is a phenomenon somewhat like the Sci Fi faster-than-light-speed-travel issue with long term, long distance travel. In faster than light (FTL) travel, the timeline of a person travelling at FTL and their loved one who stayed on Earth is often compared: a 1 month trip at FTL could take the same amount of objective time as years of the non-traveling person’s life. Many Sci Fi stories have used this unique situation to explore relationships between people with increasingly different ages: imagine trying to explain to someone who had seen you a week ago of their time all of what had happened in the years of your life. “Mundane” global travel works similarly in some ways. The person who is off traveling is experiencing a highly intense sensory experience, and thus must do a lot of processing on the fly. In addition, if they are in the linguistic minority, they are most likely only processing with themselves. Since before the trip, they were used to being in constant contact with their support group, sharing their process in somewhat live time. But while on a journey, that contact, and thus the access to the traveler’s thoughts, becomes a sporadic and somewhat highly condensed snapshot of the traveler’s actual process. The book I read about this warned of the effects of this phenomenon. Well thought out and reasonable decisions might seem compulsive or contradictory to those not traveling, and might cause concern. Unfortunately, it seems I and my support group have fallen victim to this phenomenon! My announcements regarding going to music school and possibly returning to the US has been met with confusion and shock, since I did not think to compensate for what I am now calling the FTL Effect. Enough of my peeps have asked the same sort of questions that we now have:

    Sequoia’s Frequently Asked Questions!!!

    (more…)